由MVRDV设计的深圳碧海楼艺术村正式开工

2026-08-06 17:30:33建筑设计文化体育文化建筑现代风格

项目标签

项目名称

项目地址

由 MVRDV 设计的碧海楼艺术村已正式开工。项目位于沙头角，距离深港边界仅咫尺之遥，是一座融合文化与商业功能的综合中心，并将成为社区中极具吸引力的视觉焦点。设计以“垂直村落”为核心概念，通过多个不规则形体的多彩堆叠，形成鲜明的建筑形象。更重要的是，这一概念赋予项目的不仅是引人注目的外观：不同功能分别被置于各自独立的“房屋”之中，每座“房屋”都拥有独特的形态、色彩与材料，因此能够在不同时间独立运营。与此同时，建筑内部的交通空间与露台可保持自由开放，使传统商业综合体被重新定义为一处全天候活跃的三维文化景观。

Construction is underway on the MVRDV -designed Bihailou Art Village, a mixed -use cultural and commercial centre that forms an eye -catching focal point for the community in Shatoujiao, just a stone’s throw from the Shenzhen -Hong Kong border. With its multicolored stack of irregular shapes, the design is based on the concept of the Vertical Village. Underpinned by this concept, the project gains much more than just a spectacular appearance: with each element of the program contained in its own “house”, complete with an individual shape, colour, and material, different functions can operate at different hours. Meanwhile the circulation spaces and terraces can be freely accessible – redefining the traditional commercial complex as a three -dimensional cultural landscape that is active at all hours of the day.

▼碧海楼艺术村概览，overview of the Bihailou Art Village

“垂直村落”概念最早由智库The Why Factory与MVRDV于2011年提出，并于2012年结集出版。面对亚洲城市快速高密度发展以及日益趋同的城市面貌，该概念提出了一种新的开发模式：将村落生活中的个体性与社区感，同城市的高密度结合起来。每位居民都可以设计自己的住宅，这些住宅通过堆叠组合，使每户都拥有独立入口，并能够获得景观视野与自然采光。

▼堆叠原理，Stacking principle

▼都市概念，Urban concept

The Vertical Village concept was first developed by the think tank The Why Factory and MVRDV in 2011 and published as a book in 2012. In response to the rapid densification – and increasing homogeneity – of Asian cities, it proposed a development model that would combine all the individuality and community of village life with the density of the city: each resident would be able to design their own house, and they would be stacked in a manner that everybody has their own front door and access to views and natural light.

▼体现“垂直村落”概念，reflecting the Vertical Village concept

深圳碧海楼艺术村通过多种方式，将这一概念转化为服务商业与文化中心功能的空间策略。项目没有采用单一的大体量，而是将艺术村拆分为多个片段化单元，使其尺度更贴近人的感知，也呼应了沙头角周边建筑丰富多样的视觉特征。

▼收集并整理，Collect and compile

The Shenzhen Bihailou Art Village adopts this concept to serve the function of a retail and cultural centre in a number of ways. Instead of a single large volume, the fragmented elements of the art village match the human scale and visual diversity of the other buildings in Shatoujiao.

▼呼应了沙头角周边建筑丰富多样的视觉特征，

match the human scale and visual diversity of the other buildings in Shatoujiao

在这里，并非由居民自行设计各自的住宅，而是由多种不同功能分别占据不同的“房屋”。每一项功能都通过独特的色彩、形态与材料获得自身身份，而这些特征的灵感均来自周边建筑，以及曾经位于场地上的知名餐厅“碧海楼”的色彩、形态和材料。每座“房屋”都根据其内部功能量身设计。例如，多功能表演剧场拥有一处宽敞的双层通高空间，并通过可伸缩座椅转换为大型展厅；面向相邻广场的落地窗，则为室内外之间创造出意想不到的互动。与此同时，商店与餐厅则被安排在尺度较小的体块之中。

Instead of residents who would design their own individual house, the Art Village has many different functions that are each given a sense of identity by their color, shape, and material – all features inspired by the color s, shapes, and materials of both the surrounding buildings and the Bihailou building, a well -known restaurant that once occupied the site. Each “house” is designed to fit the function that occupies it: for example, the multifunctional performance theatre g ets a large, double -height space, with retractable chairs that allow it to transform into a spacious exhibition hall, and a floor -to-ceiling window facing the neighboring plaza that allows unexpected interactions between inside and out. Meanwhile, shops a nd restaurants can find a home in the design’s smaller blocks.

▼独特的色彩、形态与材料赋予建筑身份，

each given a sense of identity by their color, shape, and material

尤为关键的是，正如“垂直村落”中的每位居民都拥有独立的家门，艺术村中的每座“房屋”也设有自己的入口，因此建筑的交通系统本身便成为公共空间的一部分。这样一来，建筑中的各项功能——包括商店、餐厅、剧场，以及展示沙头角独特文化遗产的鱼灯博物馆——都能够独立运营，并自行决定开放时间。同时，位于堆叠体量核心区域的楼梯、自动扶梯、坡道和连桥也可永久向公众开放。访客穿行于这一立体网络时，可透过盒体之间的众多缝隙瞥见周围景色，最终抵达项目的多个屋顶露台，在一天中的任何时刻眺望山脉、城市天际线与海湾。

▼流线设计，Routing

Crucially, just as residents of the Vertical Village would have their own front door, each “house” in the Art Village has its own entrance, meaning that the building’s circulation is part of the public space. This allows all the building’s functions – the shops, restaurants, theatre, and the Fish Lantern Museum that celebrates the unique cultural heritage of Shatoujiao – to operate independently, choosing their own opening hours. It also means the stairs, escalators, ramps, and gangways at the heart of the stack are permanently accessible; as visitors traverse this network, they will be able to glimpse the surroundings through the many gaps between the boxes, until they reach one of the project’s many roof terraces for views of the mountains, the cityscape, and the bay at any time of the day.

▼访客穿行于这一立体网络，visitors traverse this network

▼将密度与人性结合，combines density with humanity

深圳碧海楼艺术村位于一处广场的中心，而这座广场本身又处于社区的核心位置。因此，设计呈现出一种面向城市的公共慷慨：不仅建筑始终开放，屋顶露台也向公众提供使用；在首层，层层堆叠的体量形成多处悬挑空间，为人们提供遮阳避雨的场所。建筑周围的景观则与既有广场无缝衔接，进一步巩固了项目作为沙头角村落整体组成部分的地位。

The Shenzhen Bihailou Art Village sits as the centerpiece of a plaza that itself is at the heart of its neighbourhood. As such, the design is imbued with a kind of civic generosity, not only in the form of its permanent accessibility and public roof terraces, but also on the ground level, where the stacked shape creates overhangs where people can shelter from sun and rain. The landscaping surrounding the building is designed to blend seamlessly with the existing plaza – cementing the building as an integral piece of the village of Shatoujiao.

▼建筑夜景，building at night