卢卡斯叙事艺术博物馆，洛杉矶 / MAD

2026-09-08 16:18:05建筑设计展览展示文化建筑现代风格

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卢卡斯叙事艺术博物馆于2026年9月22日正式向公众开放。作为一座前所未有的文化机构，它致力于通过图像展示人类讲故事的普遍传统。由乔治·卢卡斯和梅洛迪·霍布森共同创立，博物馆追溯了视觉叙事在文化和世纪间的演变——从史前洞穴壁画到插画、漫画、电影和壁画——颂扬故事如何连接我们、塑造信念，并帮助我们在彼此身上看见自己。这座由马岩松（MAD建筑事务所）与Stantec合作设计的30万平方英尺的建筑，拥有超过10万平方英尺的展览空间，分布在30多个展厅中。

The Lucas Museum of Narrative Art will open its doors to the public on Tuesday, September 22, 2026, as a first-of-its-kind institution dedicated to showcasing the universal tradition of storytelling through images. Founded by George Lucas and Mellody Hobson, the Museum traces visual storytelling across cultures and centuries — from prehistoric cave paintings to illustration, comics, cinema, and murals—celebrating how stories connect us, shape belief, and help us see ourselves in one another. The soaring 300,000-square-foot building, designed by Ma Yansong of MAD with Stantec, houses more than 100,000 square feet of gallery space across 30-plus galleries.

▼博物馆外观，Exterior view

博物馆位于历史悠久的博览会公园内，藏品涵盖视觉叙事的广泛时代和媒介——从阿尔泰米西娅·真蒂莱斯基和诺曼·洛克威尔到弗里达·卡罗、罗伯特·科尔斯科特、弗兰克·弗雷泽塔和罗伯特·克拉姆——以及包括完整的卢卡斯档案（1971-2012）在内的电影资料。插画、漫画和电影等当代叙事媒介并不总是获得与绘画、雕塑和摄影同等的认可。卢卡斯博物馆赋予它们平等的地位，将艺术与流行文化并置，作为同一连续视觉传统的一部分。博物馆还设有免费研究图书馆和目的地餐厅Skywalker Grill。13英亩的园区内还包括由Studio-MLA的Mia Lehrer设计的新公园和花园，设有雕塑和南洛杉矶新的公共绿地。

Located in historic Exposition Park, the Museum’s collection spans a wide range of eras and mediums of visual storytelling—from Artemisia Gentileschi and Norman Rockwell to Frida Kahlo, Robert Colescott, Frank Frazetta, and Robert Crumb—alongside film materials that include the complete Lucas Archives (1971–2012). Contemporary vehicles of storytelling such as illustration, comics, and cinema have not always received the same recognition as painting, sculpture, and photography. The Lucas Museum gives them equal standing, presenting art and popular culture side by side as part of one continuous visual tradition. The Museum also houses a free Research Library and the destination restaurant Skywalker Grill. Included in the 13-acre campus are new Park and Gardens designed by Mia Lehrer of Studio-MLA, featuring sculptures and new public green space for South Los Angeles.

▼建筑与公园顶视图，Top view of the Building and park

▼博物馆外观，Exterior view

▼博物馆入口，Entrance

▼博物馆入口与中庭，Entrance and atrium

建筑Architecture

卢卡斯博物馆由MAD建筑事务所的马岩松与Stantec合作设计，旨在体现叙事艺术的情感力量。马岩松对公园中一座有机雕塑形式的愿景，突破了建筑的边界，激发惊奇、想象力和与比我们自身更宏大事物的连接。坐落于广阔的绿色空间中，建筑在参观者到达展厅之前就已邀请他们进入故事。其弯曲的形式没有一条直线，在室内外空间之间创造了流动的过渡——马岩松将这种方法描述为建造一个环境，或一个场景，而不仅仅是一座建筑。

Designed by Ma Yansong of MAD Architects with Stantec, the Lucas Museum was conceived to embody the emotional power of narrative art. Ma’s vision for an organic sculptural form set within the park pushes the boundaries of architecture to inspire wonder, imagination, and connection to something larger than ourselves. Set within an expansive green space, the building invites visitors into its story before they ever reach the galleries. Its curving form, designed without a single straight line, creates a fluid transition between indoor and outdoor space—an approach Ma has described as building an environment, or a scene, rather than a building alone.

▼中央拱门与椭圆天窗，Central arch and elliptical oculus

▼椭圆天窗，The elliptical oculus

从博览会公园的大树中汲取灵感，马岩松将建筑设想为这种天然树冠的延伸。建筑在中心抬起，仅在少数几个点轻轻接触公园地面，在中央广场创造一个动态的有遮蔽的聚会空间。建筑中央拱门跨度185英尺，为参观者提供通往博物馆南北大堂的通道。在公共广场上方四层高处，一个中央椭圆天窗提供了从地面到天空的令人惊叹的视野。

Taking inspiration from the large trees of Exposition Park, Ma envisioned the building as an extension of this natural canopy. The building lifts at its center and touches the park ground lightly, at only a few points, to create a dynamic sheltered, gathering space in a central plaza. The building’s central arch spans 185 feet, providing Museum goers access to the Museum’s north and south lobbies. Hovering four stories above the public plaza, a central elliptical oculus offers a breathtaking view from the ground to the sky.

▼入口大厅，Lobby

▼入口大厅细部，Lobby details

除了大堂，底层的主要区域包括两个最先进的剧院、一个马蹄形的图书馆和学习空间（配有落地窗俯瞰周边公园）、10个工作室和教室空间、一个商店、一个咖啡馆，以及约10,000平方英尺的展厅。

Principal areas on the lower floors, aside from the lobbies, include the two state-of-the-art theaters, a horseshoe-shaped library and learning space with floor-to-ceiling windows overlooking the surrounding park, 10 studio and classroom spaces, a shop, a cafe, and an approximately 10,000-square-foot gallery.

▼中庭与景观长窗，Skylight and landscape-long window

▼马蹄形的图书馆和学习空间（配有落地窗俯瞰周边公园），The horseshoe-shaped library and learning space with floor-to-ceiling windows overlooking the surrounding park

建筑外立面由超过1,200块曲面玻璃纤维增强聚合物（FRP）板覆盖，选择这种材料是因为它能够创造光滑、流动的形态，且相比其他材料重量更轻。每块面板都具有独特的形状和位置，共同构成整体。这些外墙面板的塑形和安装技术——以及由150多名建筑师、工程师和设计师组成的团队所使用的其他尖端建造方法——大约在十年前才开始出现，使卢卡斯博物馆真正成为我们这个时代的建筑。

The building’s exterior is clad in more than 1,200 curved panels of fiberglass-reinforced polymer (FRP), which was selected due to the material’s ability to create smooth, flowing forms and its minimal weight compared to other materials. Each of the panels is uniquely shaped and placed to create the whole. The technology for shaping and fitting these exterior panels—along with other cutting-edge construction methods used by a team of more than 150 architects, engineers, and designers—began to emerge only a decade ago, making the Lucas Museum truly a building of and for our time.

▼夜景，Night views

▼建筑外墙曲面FRP板，Curved FRP exterior panels

建筑坐落于一个新的13英亩园区内，包括由Studio-MLA的Mia Lehrer设计的新公园和花园，为南洛杉矶创造了急需的公共绿地，并在博览会公园中心作为学习、艺术和公众参与的非凡社区资源。取代了以前沥青停车场的公园，包括本地和耐旱植物、300多棵新种植的树木、一个悬挂花园、一个圆形剧场、一片草地，以及一个被构想为 dramatic 瀑布的喷泉——提供了安静反思和娱乐的场所。园区起伏的地形呼应了洛杉矶的自然地形，引导参观者穿过和环绕建筑。

The building is situated within a new 13-acre campus, including new Park and Gardens designed by Mia Lehrer of Studio-MLA, which creates much-needed public green space for South Los Angeles and serves as an extraordinary community resource for learning, art, and public engagement in the heart of Exposition Park. Replacing what was previously an asphalt parking lot, the park includes indigenous and drought-tolerant plantings, more than 300 newly planted trees, a hanging garden, an amphitheater, a meadow, and a fountain conceived as a dramatic waterfall—offering places for quiet reflection and recreation. Designed to draw visitors through and around the building, the campus’s contoured topography echoes the natural terrain of Los Angeles.

▼建筑与公园的融合，Building integrated with the park

博物馆对叙事艺术的关注直接启发了景观设计，将参观者的体验框定为一段发现之旅。借鉴加州多样化的地形——其山麓、山谷、台地和峡谷——周围的花园反映了该州戏剧性的地形、植被、光线和尺度的变化，捕捉了视觉叙事核心的场景感、情绪和运动。

The Museum’s focus on narrative art directly inspired the landscape design, framing the visitor’s experience as a journey of discovery. Drawing on California’s diverse topography—its foothills, valleys, mesas, and canyons—the surrounding gardens mirror the state’s dramatic shifts in terrain, vegetation, light, and scale, capturing the sense of setting, mood, and movement central to visual storytelling.

▼建筑与公园鸟瞰，Aerial view of the Building and park

植物选择考虑到了洛杉矶的未来。借鉴南加州本土植被和地中海气候的美丽与多样性，植物种类包括300多棵树——蓝花楹、橡树、松树和其他树种——赋予不同区域各自的特色。草地、草丛、灌木和开花植物带来了质感、色彩、芬芳和季节变化。物种的选择考虑了它们在区域气候变迁中保持健康和韧性的能力，而景观有助于节约用水、保持土壤湿度、减少热量和创造栖息地。

Plantings were chosen with the future of Los Angeles in mind. Drawing on the beauty and diversity of Southern California’s native vegetation and Mediterranean climate, the palette includes over 300 trees among them jacarandas, oaks, pines and other species that give different areas their own character. Meadows, grasses, shrubs, and flowering plants bring texture, color, fragrance, and seasonal variation. Species were considered for their ability to remain healthy and resilient through regional climate shifts, while the landscape helps conserve water, retain soil moisture, reduce heat, and create habitat.

▼建筑与公园，Building and park

就像启发其设计的故事一样，花园的自然之美将随时间演变。树木将成熟，季节将更替，景观将通过体验它的人们获得新的意义。公园还设有10件纪念性户外雕塑，安装在园区内无障碍步道沿线。公园免费向公众开放，同时也是博物馆展厅的延伸，呈现跨越历史肖像、当代全球视角和电影艺术的叙事雕塑。

Like the stories that inspired its design, the natural beauty of the garden will evolve. Trees will mature, seasons will change, and the landscape will take on new meaning through the people who experience it over time. The park also features 10 monumental outdoor sculptures installed along accessible walkways within the expansive campus. Free and open to the public, the Park also serves as an extension of the Museum’s galleries, presenting narrative sculpture that spans historical portraiture, contemporary global perspectives, and cinematic art.

▼公园中的雕塑，Sculptures in the park

雕塑包括：

– 费尔南多·博特罗，《母性》（2015，青铜）——体现这位已故哥伦比亚艺术家标志性风格。

– 安托宁·梅西耶，《战斗后的大卫》（青铜）——19世纪末杰作，以戏剧性构图描绘胜利。

– 马克·纽曼，《帕德梅对抗尼克苏斯》（2026，青铜）——捕捉《星球大战第二部：克隆人的进攻》中的关键动作场景。

– 马克·纽曼 & 乔瓦尼·纳克皮尔，《莱娅公主挣脱贾巴的束缚》（2025，青铜）——来自《星球大战第六部：绝地归来》的英雄叙事时刻。

– 劳伦斯·诺布尔，《埃德沃德·迈布里奇与相机》（2025，青铜）——致敬运动摄影和 chronophotography 的先驱。

– 劳伦斯·诺布尔，《介绍》（2025，青铜）——尤达和格罗古的标志性描绘，捕捉现代电影叙事的丰富神话。

– 劳伦斯·诺布尔，《威利斯·奥布莱恩》（2025，青铜）——庆祝传奇定格动画 visionary 和《金刚》的创作者。

– 普鲁内·努里，《兵马俑女儿》选集（2022，青铜）——关于性别、遗产和身份的当代评论。

– 露西·托佩特，《库埃纳瓦卡的埃米利亚诺·萨帕塔》（2025）——纪念墨西哥革命领袖。

– 本杰明·维克多，《铆工罗茜》（2025，青铜）——致敬美国劳动女性的持久文化偶像。

Sculptures include: Fernando Botero, Maternity (2015, Bronze); Antonin Mercie, David After the Combat (Bronze); Mark Newman, Padmé Fights Off Nexus (2026, Bronze); Mark Newman & Giovanni Nakpil, Princess Leia Frees Herself from Jabba the Hutt (2025, Bronze); Lawrence Noble, Eadweard Muybridge with Camera (2025, Bronze); Lawrence Noble, The Introduction (2025, Bronze); Lawrence Noble, Willis O’Brien (2025, Bronze); Prune Nourry, Selections from Terracotta Daughters (2022, Bronze); Lucy Topete, Emiliano Zapata en Cuernavaca (2025); Benjamin Victor, Rosie the Riveter (2025, Bronze).

▼公园中的雕塑，Sculptures in the park

开幕展览Inaugural Exhibitions

博物馆的开幕展览通过超过30个展厅中10万平方英尺的空间展开，展出来自博物馆收藏的1,300多件作品，追溯叙事艺术的历史。

Unfolding through 100,000 square feet of space spread across more than 30 galleries, the Museum’s inaugural exhibitions trace the history of narrative art through more than 1,300 works from the museum’s collection.

▼展厅与艺术品，Galleries and artworks

故事从一楼的《叙事艺术史：英雄·神话·神圣》开始，这是一个介绍性展览，探索视觉叙事如何产生激发 devotion、锻造社区和塑造社会的神话。博物馆收藏的标志性作品，以及来自世界各地不可移动艺术品、建筑和考古遗址的惊人忠实复制品，共同追溯了数万年的故事。这些作品共同表明，视觉叙事不仅是人类普遍的本能，也是教会和国家 alike 用来传达价值观、主张权力和定义信仰的工具。

The story begins on the first floor in The History of Narrative Art: Heroes • Myths • The Sacred, an introduction exploring how visual storytelling has produced mythologies that inspired devotion, forged communities, and shaped societies. Signature pieces from the Museum’s collection, joined in this gallery by stunningly faithful reproductions of immovable artworks, architecture, and archaeological sites from around the world, trace these stories across tens of thousands of years. Taken together, these works show that visual storytelling is not only a universal human instinct but also a tool used by church and state alike to communicate values, assert power, and define belief.

▼展厅空间 – 《叙事艺术史：英雄·神话·神圣》，Gallery spaces -Heroes • Myths • The Sacred

一楼的许多复制品是博物馆与世界各地机构、遗址和政府合作，利用创新技术制作的。例如：梵蒂冈博物馆的西斯廷教堂天花板、卢浮宫的萨尔贡二世宫殿 winged human-headed bulls、西班牙阿尔塔米拉国家博物馆和研究中心的古代洞穴壁画，以及墨西哥国家人类学和历史研究所的阿兹特克太阳石。博物馆为制作复制品而拍摄的高分辨率图像和3D扫描已捐赠给合作方。其结果是一个独特的、单一展厅的体验，让参观者能够看到原本只能通过环球旅行才能看到的作品。

Many of the reproductions on the first floor were created by the Museum using innovative technology in collaboration with institutions, sites and governments around the world. Examples include the Vatican Museums for the Sistine Chapel ceiling, the Louvre for the Winged Human-Headed Bulls from the Palace of Sargon II, the National Museum and Research Center of Altamira in Spain for ancient cave paintings, and Mexico’s Instituto Nacional de Antropología e Historia for the Aztec Sun Stone. High-resolution images and 3-D scans of the original objects captured by the Museum to create the reproductions have been donated to the collaborating partners. The result is a unique, single gallery encounter with works that visitors could otherwise see only by traveling around the globe.

▼展厅空间，Gallery spaces

博物馆四楼和五楼的宽敞展厅展示了来自收藏的作品，展览围绕主题、艺术媒介和个别艺术家的成就进行布置。主题展览探索了跨越世代的爱情、家庭和社区的神话，见于儿童文学经典、求爱和母性的图像、劳动、运动和娱乐的场景，以及危险和勇敢的插图故事。这些展厅中的艺术家包括文森特·梵高、乔治·贝洛斯和雅各布·劳伦斯，以及碧雅翠丝·波特、查尔斯·怀特和厄尼·巴恩斯。

Expansive galleries on the Museum’s fourth and fifth floors present works from the collection in installations dedicated to themes, artistic mediums, and the achievements of individual artists. Thematic galleries explore myths of love, family, and community, across generations, as seen in classics of children’s literature, images of courtship and motherhood, scenes of labor, sport, and recreation, and illustrated tales of danger and daring. Artists represented in these galleries range from Vincent van Gogh, George Bellows, and Jacob Lawrence to Beatrix Potter, Charles White, and Ernie Barnes.

▼展厅与艺术品，Galleries and artworks

专门展示特定叙事类型——奇幻、浪漫、冒险——的展览中包括乔治·梅里爱、鲍里斯·瓦列霍、朱莉·贝尔和肯·凯利等艺术家的作品。展示艺术媒介——漫画书、漫画、图像小说、摄影和壁画——的展览包括乔治·赫里曼、查尔斯·舒尔茨、吉姆·李、弗兰克·米勒、村上隆、罗伯特·卡帕、戈登·帕克斯、迭戈·里维拉、JR和朱迪思·F·巴卡等艺术家。20世纪美国插图巨匠在开幕展览中以个人展厅致敬，包括诺曼·洛克威尔、N.C.韦思、杰西·威尔科克斯·史密斯、马克斯菲尔德·帕里什、弗兰克·弗雷泽塔和托马斯·哈特·本顿。

Exhibitions devoted to specific genres of storytelling—fantasy, romance, adventure—feature works by artists including George Méliès, Boris Vallejo, Julie Bell, and Ken Kelly. Exhibitions that showcase artistic mediums—comic books, manga, graphic novels, photography, and murals—include artists such as George Herriman, Charles Schulz, Jim Lee, Frank Miller, Takashi Murakami, Robert Capa, Gordon Parks, Diego Rivera, JR, and Judith F. Baca. American artists who were among the giants of 20th-century illustration are honored in the inaugural exhibition with individual galleries. These artists include Norman Rockwell, N.C. Wyeth, Jessie Willcox Smith, Maxfield Parrish, Frank Frazetta, and Thomas Hart Benton.

▼展厅空间 – 漫画书、漫画、图像小说、摄影和壁画，Gallery spaces – comic books, manga, graphic novels, photography, and murals

基于卢卡斯档案中的作品，开幕电影展厅将呈现一个特别展览《星战进行中》，聚焦乔治·卢卡斯传奇系列前六部电影中的地面载具。展出的包括概念设计、道具和服装——从《新希望》（1977）中卢克的地面飞行器，到《西斯的复仇》（2005）中格里弗斯将军轮式摩托车的首次实体建造。

Drawing on the works in the Lucas Archives, the inaugural Cinema gallery installation will present a special exhibition titled Star Wars in Motion, focusing on the land vehicles seen in the first six films of George Lucas’s saga. On view will be concept designs, props, and costumes associated with the films’ high-speed racers, hulking transports, and flying vessels, from Luke’s Landspeeder in A New Hope (1977) to the first physical build of General Grevious’s Wheel Bike in Revenge of the Sith (2005).

▼电影展厅，《星战》主题展，Cinema gallery – Star Wars in Motion

向建筑师马岩松作为叙事艺术家致敬，开幕展览还将包括他在MAD建筑事务所富有远见的作品的绘画、效果图和照片的装置，包括卢卡斯博物馆和其他项目。

Paying tribute to architect Ma Yansong as a narrative artist in his own right, the inaugural exhibitions will also include an installation of drawings, renderings, and photographs of his visionary work for MAD, including the Lucas Museum and other projects.

▼展厅空间 – MAD作品的绘画、效果图和照片的装置，包括卢卡斯博物馆和其他项目，Gallery spaces – work for MAD, including the Lucas Museum and other projects

五楼的一个展厅专门展示公共语境中的大型纪念性叙事，突出壁画如何反映历史、身份和共享的社会记忆。亮点包括奇卡纳壁画家朱迪思·F·巴卡著名的半英里长壁画《加州历史》（俗称《洛杉矶长城》）的大量档案作品。其他亮点包括墨西哥现代主义者迭戈·里维拉和法国当代街头艺术家JR等著名壁画家的大型作品和研究，以及来自著名街头艺术家班克西工作室的标志性作品和前所未见的收藏。卢卡斯博物馆的开幕电影项目颂扬电影既是叙事的有力载体，也是创造动态视觉体验的开创性技术。这种双重性质在两个最先进的专用剧院中得以呈现：罗伯特·弗拉哈迪剧院和斯拉夫科·沃卡皮奇剧院。剧院被设计为连续的、随进随出的画廊体验，电影长度从几分钟到90分钟不等，让参观者可以自由进出。

A gallery on the fifth floor dedicated to large-scale, monumental storytelling in public contexts highlights how murals reflect history, identity, and shared social memory. Highlights include works from the extensive archive of Chicana muralist Judith F. Baca’s famous half-mile-long mural, The History of California (commonly known as The Great Wall of Los Angeles). Additional highlights include large-scale works and studies by renowned muralists such as Mexican modernist Diego Rivera and French contemporary street artist JR, as well as iconic pieces alongside never before seen acquisitions direct from the studio of renowned street artist Banksy. The Lucas Museum’s inaugural film program celebrates cinema as both a powerful vehicle for narrative and a groundbreaking technology for creating moving visual experiences. This dual nature is brought to life across two dedicated, state-of-the-art theaters: the Robert Flaherty Theater and the Slavko Vorkapich Theater. Designed as continuous, drop-in gallery experiences, the programs in the theaters allow visitors to come and go at their leisure, with films ranging from a few minutes to 90 minutes in length.

▼罗伯特·弗拉哈迪剧院，The Robert Flaherty Theater

罗伯特·弗拉哈迪剧院致敬这位纪录片电影先驱（1884-1951），探索电影捕捉丰富现实的力量。它放映的电影突出了叙事艺术的深厚历史，以及博物馆开幕展览中艺术家和故事讲述者的创作过程。斯拉夫科·沃卡皮奇剧院颂扬电影的神奇机制——光、运动、声音、色彩和剪辑。以传奇实验电影制作人命名的剧院，致敬沃卡皮奇的电影遗产以及他曾担任南加州大学电影系主任（1948-1950）的经历——该校联合创始人乔治·卢卡斯后来就读于此。剧院致力于探索“运动的情绪”，放映从电影最早年代到当代的创新短片。

The Robert Flaherty Theater honors the documentary filmmaking pioneer (1884-1951) by exploring cinema’s power to capture reality in all its richness. It features films highlighting the deep history of narrative art as well as the creative processes of artists and storytellers featured across the museum’s inaugural exhibitions. The Slavko Vorkapich Theater celebrates the magical mechanics of film—light, motion, sound, color, and editing. Named after the legendary experimental filmmaker who created groundbreaking montage sequences and special effects for dozens of Hollywood films from the 1920s through the 1940s, the venue pays homage to Vorkapich’s cinematic legacy and his tenure as Chair of the USC Department of Film (1948-1950)—the school co-founder George Lucas would later attend. Dedicated to exploring “the emotion of motion,” the theater features innovative short films from cinema’s very earliest years to the present.

▼剧院， Theater

研究图书馆Research Library

博物馆还设有一个研究图书馆，收藏广泛的一般研究藏品、特藏、珍本和档案，向所有参观者免费开放。图书馆包括主层一个流畅弯曲、充满光线的阅读室，以及上方两层的研究资料。一般研究藏品为博物馆展厅中探索的主题、艺术和艺术家提供了背景——从神话和奇幻到日常生活和想象世界的故事。反映叙事艺术固有的跨学科性质，这些藏品涵盖艺术史、插画、电影、民俗、人类学、文学、设计、摄影、儿童文学和流行文化。

The Museum also features a Research Library housing extensive general research collections, special collections, rare books, and archives, which will be open to all visitors free of charge. Spanning a sleekly curved, light-filled reading room on the main level and an additional two floors of research materials above. The general research collections provide context for the themes, art and artists explored across the Museum’s galleries, from mythology and fantasy to stories of everyday life and imagined worlds. Reflecting the inherently interdisciplinary nature of narrative art, these holdings encompass art history, illustration, cinema, folklore, anthropology, literature, design, photography, children’s literature and popular culture.

▼研究图书馆，Research Library

研究图书馆的珍本和档案通过专门致力于儿童文学、插画史、图形艺术、地下和政治漫画、独立出版以及塑造另类视觉文化的创意社区的材料扩展了这一范围。

亮点包括：

– Kitchen Sink Press的作品，这家有影响力的独立出版商以支持地下漫画而闻名。

– R. Crumb等艺术家的作品，其开创性插画挑战了视觉表达的惯例并扩展了媒介的可能性。

– 研究图书馆非凡的30,000多本漫画书收藏，在白银时代漫画方面有显著深度。

丰富了这些特藏的是天行者牧场图书馆（前卢卡斯影业研究图书馆）的部分藏品。代表了乔治·卢卡斯和几代电影制作人参考的基础研究，这些关于神话、历史、人类学、宗教和全球文化的书籍为世界构建传统提供了罕见的洞察，揭示了创作者如何借鉴共享的故事、符号和视觉语言来构建新的叙事。

The Research Library’s rare books and archives expand this scope with materials dedicated to children’s literature, the history of illustration, graphic arts, underground and political comics, independent publishing, and the creative communities that have shaped alternative visual cultures. Highlights include: works from Kitchen Sink Press, the influential independent publisher known for championing underground comics; works by artists such as R. Crumb whose groundbreaking illustrations challenged conventions of visual expression and expanded the possibilities of the medium; and the Research Library’s extraordinary collection of more than 30,000 comic books, with significant depth in comics of the Silver Age. Enriching these special collections are select holdings of the Skywalker Ranch Library (formerly the Lucasfilm Research Library). Representing the foundational research consulted by George Lucas and generations of filmmakers, these volumes on mythology, history, anthropology, religion, and global cultures offer rare insight into the tradition of worldbuilding, revealing how creators draw upon shared stories, symbols, and visual language to forge new narratives.

▼研究图书馆，Research Library

补充这些材料的是演员、作家、音乐家和收藏家史蒂夫·马丁及其妻子安·马丁捐赠的约3,000本艺术书籍。聚焦于19和20世纪艺术，这个收藏包括关于印象派和后印象派、立体主义和当代艺术的书籍和短时效印刷品，以及大卫·霍克尼、亚历山大·考尔德、米尔顿·艾弗里、温斯洛·霍默、罗伊·利希滕斯坦、弗朗西斯·培根、玛丽·卡萨特、海伦·弗兰肯塔勒和辛迪·谢尔曼等人物。最后，研究图书馆还收藏了著名作家和神话学家约瑟夫·坎贝尔个人图书馆中的2,900多卷藏书。坎贝尔的开创性著作《千面英雄》改变了神话、文学和叙事研究。这些藏书丰富地记录了坎贝尔自己的学术旅程——包括含有他个人注释和研究笔记的书籍——是跨越比较神话学、心理学、宗教、人类学、仪式和文化实践、神秘学、文学和全球文明研究的非凡一手资料。这些材料共同阐明了坎贝尔探索人类叙事底层普遍模式的跨学科路径。坎贝尔对“单一神话”或“英雄之旅”的阐述成为理解人类经验最具影响力的框架之一。他的思想对几代作家、艺术家、电影制作人和故事讲述者产生了深远影响，其中最著名的是启发了乔治·卢卡斯创作《星球大战》。这个收藏将为研究者、学生、艺术家和公众提供一个非凡的机会，去接触现代叙事中最有影响力思想背后的知识源泉。

Complementing these materials are approximately 3,000 art books donated by actor, writer, musician, and collector Steve Martin and his wife, Ann Martin. Focused on 19th- and 20th-century art, this collection includes books and ephemera on Impressionism and Post-Impressionism, Cubism, and contemporary art, along with holdings on figures such as David Hockney, Alexander Calder, Milton Avery, Winslow Homer, Roy Lichtenstein, Francis Bacon, Mary Cassatt, Helen Frankenthaler, and Cindy Sherman. Finally, the Research Library is home to more than 2,900 volumes from the personal library of renowned writer and mythologist Joseph Campbell, whose groundbreaking work, The Hero with a Thousand Faces, transformed the study of mythology, literature, and storytelling. Rich with evidence of Campbell’s own scholarly journey—including books containing his personal annotations and research notes—the collection is an extraordinary primary resource, spanning comparative mythology, psychology, religion, anthropology, ritual and cultural practice, the occult, literature, and the study of civilizations across the globe. Together, these materials illuminate the interdisciplinary pathways through which Campbell explored the universal patterns underlying human storytelling. Campbell’s articulation of the monomyth, or “hero’s journey,” became one of the most influential frameworks for understanding the human experience. His ideas have had a profound impact on generations of writers, artists, filmmakers, and storytellers, most famously inspiring George Lucas in the creation of Star Wars. This collection will offer researchers, students, artists, and the public an exceptional opportunity to encounter the intellectual source material behind some of the most influential ideas in modern storytelling.

▼研究图书馆，Research Library

天行者烧烤餐厅Skywalker Grill

位于卢卡斯叙事艺术博物馆顶层的天行者烧烤餐厅，从乔治·卢卡斯天行者牧场的热情精神中汲取灵感。由Rockwell Group设计，Rhubarb Hospitality Collection（Oak View Group旗下）运营，餐厅向博物馆参观者和公众开放，午餐、晚餐和周末早午餐提供经典美式菜肴搭配加州食材。天行者烧烤在博物馆闭馆后继续营业，邀请客人在展厅关闭后欣赏洛杉矶全景。设计融合了当代和中世纪现代的影响与雕塑建筑形式，创造了一个既永恒又温馨的环境。樱桃木以独立定制的面板包裹墙壁和天花板，在用餐区营造温暖和质感，而柔和照明的白色缟玛瑙可丽耐表面则引入微妙的光感和动感。空间中央，一个雕塑吧台锚定了整个房间，周围是旨在促进对话和连接的私密座位区。设计延伸至主用餐区之外，包括一个优雅的私人包间，配备可切换玻璃墙（从透明到磨砂以增加私密性），以及一个 nestled in lush landscaping 的户外露台。

Skywalker Grill, the signature full-service restaurant atop the Lucas Museum of Narrative Art, draws inspiration from the welcoming spirit of George Lucas’s Skywalker Ranch. Designed by Rockwell Group and operated by Rhubarb Hospitality Collection (part of Oak View Group), the venue is open to both Museum visitors and the general public, pairing classic American cuisine with California-grown ingredients for lunch, dinner, and weekend brunch. Remaining open beyond Museum hours, Skywalker Grill invites guests to enjoy panoramic views of Los Angeles long after the galleries have closed. The design blends contemporary and mid-century modern influences with sculptural architectural forms to create an environment that feels both timeless and welcoming. Cherry wood wraps the walls and ceiling in individually crafted panels, creating warmth and texture throughout the dining room, while softly illuminated white onyx Corian surfaces introduce a subtle sense of light and movement. At the center of the space, a sculptural bar anchors the room, surrounded by intimate seating areas designed to foster conversation and connection. The design extends beyond the main dining area to include an elegant private dining room with switch-glass walls that transition from clear to frosted for added privacy, as well as an outdoor terrace nestled in lush landscaping.

▼餐厅/酒吧，Restaurant and bar

开幕活动Opening Events

卢卡斯博物馆将以一系列活动庆祝开幕，包括9月5日至11日的会员预览日。9月13日的社区预览日将欢迎社区合作伙伴、当地企业主、 civic leaders、学生和博物馆90037邮政编码区的居民。9月19日，博物馆将举办开幕之夜庆典，由朱莉·贝尔、汤姆·克鲁斯、格蕾塔·葛韦格、黄仁勋、JR、史蒂文·斯皮尔伯格、吉尔莫·德尔·托罗和法瑞尔·威廉姆斯共同主持。反映了一个涵盖漫画艺术、电影、绘画和摄影的收藏，这些共同主持人都以独特而持久的方式塑造了我们对视觉叙事的体验。当晚将汇聚艺术、电影和慈善界的领袖，共同庆祝博物馆的开幕。

The Lucas Museum will celebrate its opening with a series of events including member preview days from September 5 through September 11. A Neighborhood Preview Day hosted on September 13 will welcome community partners, local business owners, civic leaders, students, and residents of the Museum’s 90037 zip code. On September 19, the Museum will inaugurate the building with an Opening Night celebration co-chaired by Julie Bell, Tom Cruise, Greta Gerwig, Jensen Huang, JR, Steven Spielberg, Guillermo del Toro, and Pharrell Williams. Reflecting a collection that spans comic art and film to painting and photography, these co-chairs have all shaped our experience of visual narratives in distinctive and lasting ways. The evening will bring together leaders from across art, cinema, and philanthropy to mark the opening of the Museum.

▼玛丽·卡萨特——《孩子们与猫玩耍》，

Mary Cassatt, Children Playing with a Cat, 1907-1908. Oil on canvas.

▼厄尼·巴恩斯——《五重奏》，

Ernie Barnes, Quintet, ca. 1989. Acrylic on canvas.

▼乔伊·特里尔——《Chicos Modernos》第3卷封面，

Joey Terrill, Cover for Chicos Modernos, vol. 3, 1989. Ink and colored pencil on paper.

▼道格·姜——《星际飞船着陆平台》，《星球大战2：克隆人的进攻》制作艺术，

Doug Chiang, Starship Landing Platform, production art for Star Wars: Episode II –

Attack of the Clones, 2000-02. Acrylic on board (reproduction)

关于博物馆About the Museum

乔治·卢卡斯和梅洛迪·霍布森共同创立了卢卡斯叙事艺术博物馆，以致敬通过图像讲述故事的普遍传统。从史前洞穴壁画到今天的屏幕艺术，博物馆探索并颂扬视觉叙事的力量——激励个人、塑造信念和理想、并锻造社区。

George Lucas and Mellody Hobson co-founded the Lucas Museum of Narrative Art to honor the universal tradition of telling stories through images. Encompassing everything from prehistoric cave paintings to today’s screen art, the Museum explores and celebrates the power of visual storytelling to inspire individuals, give shape to beliefs and ideals, and forge community.

▼杰西·威尔科克斯·史密斯——《母亲的爱》，

Jessie Willcox Smith, Mother’s Own, 1920. Charcoal, watercolor, gouache, and oil on board.

▼JR——《巨人：基基托》，

JR, GIANTS, Kikito, September 6, 2017, 7.02 p.m., Tecate, Mexico –

U.S.A., 2017. Digital print mounted on canvas.

▼文森特·梵高——《西恩哺乳婴儿》，

Vincent van Gogh, Sien Nursing Baby, 1882. Watercolor, gouache, and chalk on paper.

▼吉尔伯特·埃尔南德斯与海梅·埃尔南德斯——《爱情与火箭》第1卷第20期封面，

Gilbert Hernandez and Jaime Hernandez, cover for Love and Rockets, vol. 1, no. 20, 1987.

Ink, correction fluid, and pencil on board.

博物馆位于洛杉矶博览会公园，坐落在一座由MAD建筑事务所的马岩松与Stantec合作设计的30万平方英尺建筑中，旨在体现叙事艺术的情感力量，创造一种惊奇感、可能性和与比我们自身更宏大事物的连接。建筑被整合进一个13英亩的新园区，包括由Studio-MLA的Mia Lehrer设计的公园：一个供当地社区使用的绿色、多层次的聚会场所，以及将学习和参与带到户外的非凡项目资源。

Built in Los Angeles’s Exposition Park, the Museum is housed in a 300,000-square-foot building designed by Ma Yansong of MAD with Stantec to embody the emotional power of narrative art, creating a sense of wonder, possibility, and connection to something larger than ourselves. The building is integrated into a new 13-acre campus including a park designed by Mia Lehrer of Studio-MLA: a green, multilayered gathering place for local communities and an extraordinary programming resource that brings learning and engagement outdoors.

▼卡修斯·马塞勒斯·柯立芝——《一手好牌》，Brown & Bigelow广告插画，

Cassius Marcellus Coolidge, “A Pat Hand,” illustration for Brown & Bigelow advertisement, 1894. Oil on canvas.