世茂·印山海，福州/建筑

天宏海阔层峦叠翠的静谧岛屿之上，日复一日呈现“浮光跃金，静影沉璧”的场景。从基地远望，云雾中群峰渐隐，层层退晕出流动的山形，海水击岸，山形的曲线与海面的波纹如对话般。

On the vast expanse of Tianhong sea and the tranquil islands with mountains and emeralds, the scene of "floating light, leaping gold and quiet shadow" appears day after day. Looking from the base, the peaks in the clouds fade away, and the flowing mountain shape retreats layer by layer. The sea water hits the shore. The curve of the mountain shape is like a dialogue with the ripple of the sea surface.

夕阳西下，在山环大海之处，浮于粼粼波光之上，隐于氤氲山形之间，便是建筑的所在。

When the sun sets in the west, where the mountains surround the sea, floating on the sparkling light and hidden in the dense mountain shape, the building is located.

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粗芦岛，位于福州东部，闽江的入海处，东瞰东海，背靠连江，山海一色，气势恢弘。建筑的选址位于岛东部，丘旦山南面的一片山坳里。由于地势较高，距离沙滩有10米的高差。

Chulu island is located in the east of Fuzhou, where the Minjiang River enters the sea. It overlooks the East China Sea in the East and is backed by Lianjiang River. The mountains and seas are the same, and the momentum is magnificent. The site of the building is located in a depression in the east of the island and the south of qiudan mountain. Due to the high terrain, there is a height difference of 10 meters from the beach.

如何与一个强烈的广阔的物理性空间形成一个相适应的共存关系是设计的重要起点。这将是一个具有整体性和延展空间边界的精神性场所，风、光线和周边视野等自然元素在空间中被再次定义和塑造。

How to form a compatible coexistence relationship with a strong and broad physical space is an important starting point of design. This will be a spiritual place with integrity and extending the space boundary. Natural elements such as wind, light and peripheral vision are redefined and shaped in the space.

在这里建筑是个观赏者欣赏着大海的潮起潮落、波澜不惊.建筑也是个表演者，表演着属于自己的柔美与刚毅。在这海天一色间他们将共同演绎相互交融的完美乐章。

Here, architecture is a spectator, enjoying the rise and fall of the sea Architecture is also a performer, performing its own tenderness and fortitude. In this sea and sky, they will jointly perform the perfect movement of mutual blending.

我们回溯设计的初心，是在山、海、天所主导的如此强势磅礴的环境中筑造具有消隐姿态的“负建筑”，过去现在和将来一以贯之——呈现与自然和谐共生的美感。

The original intention of our design is to build a "negative building" with hidden posture in such a powerful and majestic environment dominated by mountain, sea and sky, which is consistent in the past, present and future - presenting the beauty of harmonious coexistence with nature.

圆形体量的顶部静水面反射天空并与远处的海面连成一体，在这个静谧开阔的环境中需要一个立于水天之间的视觉焦点，于是产生了“生命之树”的设计想法。

The static water surface at the top of the circular volume reflects the sky and connects with the distant sea surface. In this quiet and open environment, a visual focus standing between water and sky is needed, so the design idea of "tree of life" came into being.

生命之树——象征着火树银花，象征着生命，透过玻璃顶面，生命之树在室内外形成倒置镜像的关系，同时引入天光到室内，水面随着不同风环境产生粼粼波光，形成曼妙的室内氛围。

The tree of life - the silver flower, a symbol of the fire tree, symbolizes life. Through the top of the glass, the tree of life forms an inverted mirror relationship indoors and outdoors. At the same time, the skylight is introduced indoors. The water surface produces sparkling light with different wind environments, forming a graceful indoor atmosphere.

与建筑形态同步设计考虑的是整个大景观区入口处波浪起伏的白色屋顶，通过入口经由一段花岗石的甬道蜿蜒通向建筑，在行走的过程中可以各种角度来欣赏建筑、沙滩、海面和五虎礁共同构成的画卷，弧线顶面形成的框景倒映在水面中如同眼睛，取“天使之眼”的意象。

Synchronized with the architectural form, the design considers the undulating white roof at the entrance of the whole large landscape area. Through the entrance, it winds to the building through a section of granite corridor. In the process of walking, you can enjoy the picture scroll composed of the building, beach, sea surface and five tiger reef from various angles. The frame formed by the top surface of the arc is reflected in the water like an eye, taking the image of "angel's eye".

建造期间，建筑师多次走访工地，其间由最初的设计图纸放样出来的钢柱截面尺寸及间距比例欠佳，后制作多个实体模型推敲调整，呈献出完美的形体。

During the construction period, the architect visited the construction site for many times. During this period, the section size and spacing ratio of the steel column set out from the initial design drawings were not good. After that, multiple solid models were made for careful adjustment to present a perfect shape.

在创作基座“玻璃纸伞”的造型时，由于内部空间强调穿透性，产生与外部空间的联动体验，根据折面倾斜玻璃幕墙造型的传力特点，需要避免大量明露的结构龙骨系统影响观景面的通透感。

When creating the shape of the base "glass paper umbrella", because the internal space emphasizes the penetration, it produces the linkage experience with the external space. According to the force transmission characteristics of the shape of the folded inclined glass curtain wall, it is necessary to avoid a large number of exposed structural keel systems affecting the permeability of the viewing surface.

通过多轮推敲玻璃相互咬合的锯齿角度以及玻璃尺度达到了受力的平衡，最终呈现了纯净的视觉效果。

Through multiple rounds of scrutiny, the sawtooth angle and glass scale of glass bite each other to achieve the balance of force, and finally present a pure visual effect.

建筑是凝固的音乐，又是思想的延展，从空中俯瞰世茂·印山海，沿山势铺就的阶梯状的景观带，像一道蜿蜒的五线谱，而展示区建筑就好似一个美丽的音符镶嵌其中，她是山与海共同奏响的乐章！

Architecture is not only solidified music, but also the extension of thought. Overlooking Shimao Yinshan sea from the air, the stepped landscape belt paved along the mountain is like a winding staff, while the architecture in the exhibition area is like a beautiful note inlaid in it. It is a music movement played by mountain and sea!